Although I grew up in New York City, from a young age I was drawn to the natural world, particularly through gardening and camping trips. Eventually I studied biology in college and earned a Master’s researching stream ecology. I also always imagined myself a writer. For years my writing was solely in letters and journals, but during my Master’s I started a novel featuring an immature mayfly in the stream (it was somewhat autobiographical). Ecology is all about the connection of organisms to their environment and to one another, and I think this perspective of connectedness has embedded itself deeply in my writing and my life.
I particularly love books that combine the trifecta of engaging story; interesting, complex characters; and good writing with real substance (as in, I stop to think about the content). Greenwood has all of these.
The writing is particularly lyrical—I could fill this space with beautiful quotes. The author takes the reader through four generations of a family, with each generation intimately connected to trees in different ways—from lumbermen to environmental activist to woodcraftsman to botanist.
And as the author “takes a core” through a family tree, the story captures both the characters’ relationships to one another as well as to the world in which they live. I cannot recommend this book enough!
'The truth is that all family lines, from the highest to the lowest, originate somewhere, on some particular day. Even the grandest trees must've once been seeds spun helpless on the wind, and then just meek saplings nosing up from the soil.'
2038. On a remote island off the Pacific coast of British Columbia stands the Greenwood Arboreal Cathedral, one of the world's last forests. Wealthy tourists flock from all corners of the dust-choked globe to see the spectacle and remember what once was. But even as they breathe in the fresh air and pose for photographs amidst the greenery,…
I am in awe of Charlotte McConaghy’s skill—both at crafting beautiful prose and using the length of her novel to unfold the story of its main character (I have now seen her do this twice).
In a world in which many animals are extinct, Franny is on an obsessive mission to follow the migration of the last Arctic terns. It takes the course of the novel to understand Franny’s motivation, given to the reader in pieces and thereby made somewhat of a puzzle. Franny is a complex character, and coming to understand her and why she identifies with the terns offered me a sense of gratification.
McConaghy’s ability to connect her character’s personal peril to another species’ ecological peril rings authentic.
'An extraordinary novel... as beautiful and as wrenching as anything I've ever read' Emily St. John Mandel
A dark past. An impossible journey. The will to survive.
Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.
As animal populations plummet, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny's life begin to unspool.
Pete is content living a simple life in the remote Montana town of Sleeping Grass, driving the local garbage truck with his pot-bellied pig Pearl and wondering about what could've been. Elderly widow Wilma is busy meddling in Pete's life to try and make up for past wrongs that he…
The size of Barkskins made me pause, but I had read other books by Annie Proulx that I liked, and the description appealed to me.
Admittedly, I learn a lot of my history through historical fiction, and I learned a lot from this story of two families through three hundred years. Over the course of the novel, the arc of many generations—and therefore characters—arises and subsides, but the consistent theme throughout is the European utilitarian perspective on the forest and how this perspective undermined and marginalized the Indigenous way of life.
The scope of the book and its style create a somewhat dispassionate narrative, which may be off-putting to some, but still many images and pieces of the history remain with me years after reading it.
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017
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From Annie Proulx, the Pulitzer Prize-winning author of The Shipping News and Brokeback Mountain, comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world's forests.
In the late seventeenth century two penniless young Frenchmen, Rene Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a "seigneur," for three years in exchange for land, they become wood-cutters - barkskins. Rene suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to…
First of all, this sprawling novel is funny and entertaining, and those qualities would be reason enough that I would recommend it. Yet beyond those qualities, it created a strong sense of place and a real social and political conflict without ever becoming preachy or heavy handed—not an easy feat as I have learned.
The storyline, a conflict over land use and water rights, is repeated again and again throughout the West and Southwest in particular—in this case pitting real estate developers against impoverished locals. But the story is also about a conflict of cultures and how those cultures perceive and connect to the land. Exposing such conflicts is a boon of literature.
The Milagro Beanfield War is the first book in John Nichols's New Mexico Trilogy (“Gentle, funny, transcendent.” ―The New York Times Book Review)
Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories.…
I could not put together a list such as this without including a work by Kingsolver, whom I so associate with writing that embraces the natural environment.
When I first shared my own writing, readers would ask me if I knew her work. I have a somewhat sparse style; Kingsolver, on the other hand, uses rich detail of natural phenomenon to great effect, making her novel lush. She also makes accessible simple to complex biological concepts.
In this novel, by juxtaposing biology and lush detail with the stories of the three main characters, she draws parallels between the “natural world” and humans that remind us that we are animals too—all the while having us invested in very human characters. Her work encourages me to be a little less sparse.
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
Lizzy has largely retreated from the world: she tends her adopted strays and goes to work, but she has forsaken lifelong pastimes and declines invitations from old friends. On the day she buries Happy, the abandoned basset hound she adopted years before, she learns a real estate developer is threatening the heart of her rural community—a tranquil pond and a relict stand of hemlocks. For Lizzy this is a magical place, hidden from the modern world.
Coaxed by an old friend to join a group fighting the development, Lizzy is reluctant—she wants to avoid both hope and him. But she realizes she can no longer keep the outside world at bay. As the battle over the development unfolds, Lizzy opens herself to two young neighbors who share her love of the natural environment—an awkward sixteen-year-old and an inquisitive ten-year-old. And as Happy’s elements return to the earth, Lizzy experiences her own transformation as buried memories find their way to the surface in increasingly curious ways.
Vivian Amberville® is a popular dark fantasy book series about a girl whose thoughts can reshape reality.
First in the series, The Weaver of Odds introduces 13-year-old Vivian to her power to alter luck, odds, and circumstances. She is a traveler between realities, whose imagination can twist reality into impossible…
